Stuart Maconie reviews Bona Drag by Morrissey, 20th October 1990

Stuart Maconie reviews Bona Drag by Morrissey, 20th October 1990.

Can’t say I agree with this positive, yet workmanlike review from Maconie. Morrissey was coming up short in the lyric dept. with increasing frequency even during The Smiths and post Viva Hate has bluffed it ever since.

Yet with the breakup of the Smiths still fairly recent in 1990, the starving demanded to be fed, unfortunately there was nothing left on the menu except gruel. Viva Hate had its morsels, Suedehead in particular, but without the foundation of Marr’s compositions and his sublime guitar work, the cracks in Morrissey’s irrelevant lyrics just became more and more apparent. With Bona Drag, Morrissey’s long, slow slide into irrelevance began. It pains me more than you realise that it still continues to this day.

But I will stick up for November Spawned A Monster, which I think of as the last great thing Morrissey wrote. Maconie dislikes it because it’s “so morbid and cheerless” Duh! That’s precisely why I like it. I can empathise with it. Sure it lacks wit and is dressed up in a touch too much metaphor but he’s singing to us, for us, the ugly and marginalized here, instead of prattling on about bloody Ouija boards and the like.

If all this just makes you want to listen to The Smiths, and it really should, then why not break out the old records for another spin and while you’re at it read Taylor Parkes latest retrospective piece on The Smiths over at The Quietus.

Note to self: Do not explicitly refer to a TV programme title that could be misconstrued, especially in conjunction with the sexualised use of the F word, if you do not want lots of people coming to your blog for all the wrong reasons.

Note to Pin-Up Nights: Thanks! You flatter me, but you really shouldn’t encourage me.

I spent a few days with some Glaswegians recently.

“What’s the difference between Glasgow and Edinburgh?”

“Well, Glasgow is a lot friendlier but you’re also much more likely to get stabbed”

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Radiohead live at the Garage Glasgow, 8th October 1994

Paul Moody reviews Radiohead live at the Garage, Glasgow. Taken from NME, 8th October 1994.

Up to this point everyone sensible saw Radiohead as just another fourth rate, bandwagon chasing, grunge/shoegaze lite also-ran. Here previewing material from still to be released The Bends, it seems Radiohead start to show glimmers of what they will one day become.

Fast forward fourteen years to 2008 and you’ll be lucky to even see the stage let alone get the chance be that over-zealous fan who clambers onto the stage.


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