peter-paphides-interviews-sarah-cracknell-and-tim-burgess-11th-december-1993

Peter Paphides interviews Sarah Cracknell and Tim Burgess, 11th December 1993.  Wedding photos by Tom Sheehan.

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tim-burgess-and-saint-etienne-on-the-cover-of-melody-maker-11th-december-1993

Tim Burgess and Saint Etienne on the cover of Melody Maker, 11th December 1993. Photo by Tom Sheehan

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Simon Reynolds reviews A Gilded Eternity by Loop 20th January 1990

Simon Reynolds reviews A Gilded Eternity by Loop. Taken from Melody Maker, 20th January 1990.

This for Andre who left a comment recently. Not sure I have any interviews Andre and this isn’t exactly Loop’s finest hour but hope it’s better than nothing. Sad to reflect on the countless bands over the years you could apply Reynolds opening sentence from this review to- “It’s clear now that [band] peaked with their magnificent brace of EP’s in [date]”.

Not now though. I miss the EP. It gave bands a chance to develop in a way they don’t have now. Never got into Loop personally. Probably in no small part because I didn’t spend my late teenage years in a permanent fug of marijuana smoke which did seem to be an obligatory requirement at the time. And besides, Loop always played second psychedelic fiddle to Spacemen 3 – sorry Loop fans.

Elsewhere Bob Stanley reviews Opal and also fails to pump up Technotronic’s jam. Simon Patrick reviews Ozma, an early Melvins release, a band still going strong in 2008! Push reviews Divine Styler and In Goth Daze – lucky him! Finally Ian McGregor reviews The Corn Dollies, Wrecked.

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Bob Stanley reviews The Pixies Bossanova, 11th August 1990

Bob Stanley reviews The Pixies Bossanova. Taken from Melody Maker, 11th August 1990.

Another first, this time from Bob Stanley. I reckon he gets the review pretty much spot on. When this came out there was a sense of disappointment. It’s still a great record but it felt a bit limp and all the rough edges had been sanded down. The Happening is the standout track on this album for me.

Sorry about the top left cover rip. No idea why I ripped it. My only excuse is that I went to art college. It makes for quite a funny juxtaposition as the Boo-Yaa dude seems to be looking down with total disgust on pasty Charles Francis and chums.


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